Spatium (LED color : Red)

this is the ‘mother’ reverb whose basic character is shared by all modes in this pedal. The design is influenced more by psychoacoustic principles rather than geometric representation (room, hall, chamber, etc.). In general, we thrived for a reverb that sounds good over the whole span of Decay settings, this yields a versatile reverb that can be used to achieve anything from subtle ambience, medium sized room, all the way to very large majestic spaces with seemingly endless reverb tails.

Modulated (LED color : Green)

adds modulation to the late reverberation. As the Intensity knob is turned clockwise, both depth and intensity increases; approaching the maximum position a weird but beautiful swirling resonance starts to appear.

Shimmer (LED color : Blue)

adds regenerative octave components onto the reverberation. The harmonized decay emulates the presence of multiple strings pads accompanying your instrument. Used together with a volume pedal this atmospheric mode can work magic!

Echo (LED color : Amber)

Echo + Reverb.

Echo Time can be adjusted via Tap-Tempo. 

Tremble (LED color : Violet)

adds amplitude modulation (tremolo) to the reverb. Since the tremolo is applied only to the reverb, the dry signal remains strong and clear. The result is a very interesting pulsating ambience that injects rhythms to the standard reverb sound. The depth and speed of the tremolo effect are adjustable.

Voices (LED color : Cyan)

adds a pitch-shifted secondary voice on top of the late reverberation. There are three interval choices : Unison (no shift), Perfect Fifth (7 semitones), and Octave (12 semitones). The Intensity knob is partitioned into 3 regions, each region represents a distinct voice.

Infinity (LED color : White)

this mode allows you to capture a brief snapshot of the sound you are playing, and hold it indefinitely, then you can play over it (with reverberation). Later on, you can fade out the sustained sound, and immediately fade in a new one. You can also adjust the intensity and tonality of the infinitely-sustained part of the sound independently of the reverb, this gives much flexibility in sculpting the background ambience stage.